First published on the Women Writers Project Blog in July 2016
Since late last fall, I’ve been encoding a text that poses some interesting markup challenges because of its use of Orientalist language: Scottish author Eliza Hamilton’s 1796 epistolary novel, Translation of the Letters of a Hindoo Rajah. While I was excited to encode Translation because my own research considers eighteenth-century colonial literature, I focus on Caribbean and American literature. So, as an encoder, I approached Translation with an interest in how Hamilton is using distinct language to construct colonial notions of race and gender, but with only a limited familiarity with Orientalist print culture and history.
Before I lay out the details of how I’ve been encoding linguistically distinct language in Translation, it is necessary to explain just how Orientalist (and orientalist, to use Edward Said’s version of the term) this novel is. And no, Translation is not actually a collection of letters that Hamilton translated from Hindi.1 The “translated” letters of Hamilton’s text are fictional, mostly authored by the titular character and protagonist, Zāārmilla, the Rajah of Almora. Hamilton supplements the letters with a “preliminary dissertation,” lengthy footnotes, and a glossary of terms. She strategically includes these textual addendums …read more
Read more at : Liz Polcha